A pair of red Vans and green Vans. :P
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A pair of red Vans and green Vans. :P
Because?
10'
The exact same reason why you set your msn status to shopping.Quote:
Originally Posted by Sydd(:
Because I got red and green shirts, and I like to match.
Defy - Pfft. I got 4 pairs of Vans, 1 pair of Polos
Want to compare shoes? I have some Vans I got at the mall (40% discount), a few running shoes, MC boots, and MC dress shoes.Quote:
Originally Posted by Tatsuo
You told all of facebook, and now you tell us >.>
Pics or it didn't happen.
i posted the pics for himQuote:
Originally Posted by Gabe
Haha. Lets see here. I have those sneakers, a pair of Timberland boots, a pair of white Nike Dunks, a pair of black Jordans, a pair of Filas, and two pairs of dress shoes...dunno the brands. =/Quote:
Originally Posted by Defy
Jen - Stfu.
Woman and their shoes.
Green vans are ugly. :(
Black on black so they don't get dirtyyyyyyyy
THICK AS A BRICK
Thick As A Brick
Really don't mind if you sit this one out.
My words but a whisper -- your deafness a SHOUT.
I may make you feel but I can't make you think.
Your sperm's in the gutter -- your love's in the sink.
So you ride yourselves over the fields and
you make all your animal deals and
your wise men don't know how it feels to be thick as a brick.
And the sand-castle virtues are all swept away in
the tidal destruction
the moral melee.
The elastic retreat rings the close of play as the last wave uncovers
the newfangled way.
But your new shoes are worn at the heels and
your suntan does rapidly peel and
your wise men don't know how it feels to be thick as a brick.
And the love that I feel is so far away:
I'm a bad dream that I just had today -- and you
shake your head and
say it's a shame.
Spin me back down the years and the days of my youth.
Draw the lace and black curtains and shut out the whole truth.
Spin me down the long ages: let them sing the song.
See there! A son is born -- and we pronounce him fit to fight.
There are black-heads on his shoulders, and he pees himself in the night.
We'll
make a man of him
put him to trade
teach him
to play Monopoly and
to sing in the rain.
The Poet and the painter casting shadows on the water --
as the sun plays on the infantry returning from the sea.
The do-er and the thinker: no allowance for the other --
as the failing light illuminates the mercenary's creed.
The home fire burning: the kettle almost boiling --
but the master of the house is far away.
The horses stamping -- their warm breath clouding
in the sharp and frosty morning of the day.
And the poet lifts his pen while the soldier sheaths his sword.
And the youngest of the family is moving with authority.
Building castles by the sea, he dares the tardy tide to wash them all aside.
The cattle quietly grazing at the grass down by the river
where the swelling mountain water moves onward to the sea:
the builder of the castles renews the age-old purpose
and contemplates the milking girl whose offer is his need.
The young men of the household have
all gone into service and
are not to be expected for a year.
The innocent young master -- thoughts moving ever faster --
has formed the plan to change the man he seems.
And the poet sheaths his pen while the soldier lifts his sword.
And the oldest of the family is moving with authority.
Coming from across the sea, he challenges the son who puts him to the run.
What do you do when
the old man's gone -- do you want to be him? And
your real self sings the song.
Do you want to free him?
No one to help you get up steam --
and the whirlpool turns you `way off-beam.
LATER.
I've come down from the upper class to mend your rotten ways.
My father was a man-of-power whom everyone obeyed.
So come on all you criminals!
I've got to put you straight just like I did with my old man --
twenty years too late.
Your bread and water's going cold.
Your hair is too short and neat.
I'll judge you all and make damn sure that no-one judges me.
You curl your toes in fun as you smile at everyone -- you meet the stares.
You're unaware that your doings aren't done.
And you laugh most ruthlessly as you tell us what not to be.
But how are we supposed to see where we should run?
I see you shuffle in the courtroom with
your rings upon your fingers and
your downy little sidies and
your silver-buckle shoes.
Playing at the hard case, you follow the example of the comic-paper idol
who lets you bend the rules.
So!
Come on ye childhood heroes!
Won't you rise up from the pages of your comic-books
your super crooks
and show us all the way.
Well! Make your will and testament. Won't you?
Join your local government.
We'll have Superman for president
let Robin save the day.
You put your bet on number one and it comes up every time.
The other kids have all backed down and they put you first in line.
And so you finally ask yourself just how big you are --
and take your place in a wiser world of bigger motor cars.
And you wonder who to call on.
So! Where the hell was Biggles when you needed him last Saturday?
And where were all the sportsmen who always pulled you though?
They're all resting down in Cornwall --
writing up their memoirs for a paper-back edition
of the Boy Scout Manual.
LATER.
See there! A man born -- and we pronounce him fit for peace.
There's a load lifted from his shoulders with the discovery of his disease.
We'll
take the child from him
put it to the test
teach it
to be a wise man
how to fool the rest.
QUOTE
We will be geared to the average rather than the exceptional
God is an overwhelming responsibility
we walked through the maternity ward and saw 218 babies wearing nylons
cats are on the upgrade
upgrade? Hipgrave. Oh, Mac.
LATER
In the clear white circles of morning wonder,
I take my place with the lord of the hills.
And the blue-eyed soldiers stand slightly discoloured (in neat little rows)
sporting canvas frills.
With their jock-straps pinching, they slouch to attention,
while queueing for sarnies at the office canteen.
Saying -- how's your granny and
good old Ernie: he coughed up a tenner on a premium bond win.
The legends (worded in the ancient tribal hymn) lie cradled
in the seagull's call.
And all the promises they made are ground beneath the sadist's fall.
The poet and the wise man stand behind the gun,
and signal for the crack of dawn.
Light the sun.
Do you believe in the day? Do you?
Believe in the day! The Dawn Creation of the Kings has begun.
Soft Venus (lonely maiden) brings the ageless one.
Do you believe in the day?
The fading hero has returned to the night -- and fully pregnant with the day,
wise men endorse the poet's sight.
Do you believe in the day? Do you? Believe in the day!
Let me tell you the tales of your life of
your love and the cut of the knife
the tireless oppression
the wisdom instilled
the desire to kill or be killed.
Let me sing of the losers who lie in the street as the last bus goes by.
The pavements ar empty: the gutters run red -- while the fool
toasts his god in the sky.
So come all ye young men who are building castles!
Kindly state the time of the year and join your voices in a hellish chorus.
Mark the precise nature of your fear.
Let me help you pick up your dead as the sins of the father are fed
with
the blood of the fools and
the thoughts of the wise and
from the pan under your bed.
Let me make you a present of song as
the wise man breaks wind and is gone while
the fool with the hour-glass is cooking his goose and
the nursery rhyme winds along.
So! Come all ye young men who are building castles!
Kindly state the time of the year and join your voices in a hellish chorus.
Mark the precise nature of your fear.
See! The summer lightning casts its bolts upon you
and the hour of judgement draweth near.
Would you be
the fool stood in his suit of armour or
the wiser man who rushes clear.
So! Come on ye childhood heroes!
Won't your rise up from the pages of your comic-books
your super-crooks and
show us all the way.
Well! Make your will and testament.
Won't you? Join your local government.
We'll have Superman for president
let Robin save the day.
So! Where the hell was Biggles when you needed him last Saturday?
And where were all the sportsmen who always pulled you through?
They're all resting down in Cornwall -- writing up their memoirs
for a paper-back edition of the Boy Scout Manual.
OF COURSE
So you ride yourselves over the fields and
you make all your animal deals and
your wise men don't know how it feels to be thick as a brick.
TL;DRQuote:
Originally Posted by Drakonid
some it up please
Music .
"Toothed vagina," the classic symbol of men's fear of sex, expressing the unconscious belief that a woman may eat or castrate her partner during intercourse. Frued said, "Probably no male human being is spared the terrifying shock of threatened castration at the sight of female genitals." But he had the reason wrong. The real reason for this "terrifying shock" is a mouth-symbolism, now recognized universally in myth and fantasy: "It is well-known in psychiatry that both males and females fantasize as a mouth the female's entranceway to the vagina."
The more patriarchal the society, the more fear seems to be aroused by the fantasy. Men of Malekula, having overthrown their matriarchate, were haunted by a yonic spirit called "that which draws us to It so that It may devour us." The Yanomamo said one of the first beings on earth was a woman whose vagina became a toothed mouth and bit off her consort's penis. Chinese patriarchs said women's genitals were not only gateways to immortality but also "executioners of men." Moslem aphorisms said: "Three things are insatiable: the desert, the grave, and a woman's vulva." Polynesians said the savior-god Maui tried to find eternal life by crawling into the mouth (or vagina) of his mother Hina, in effect trying to return to the womb of the Creatress; but she bit him in two and killed him.
Stories of the devouring Mother are ubiquitous in myths, representing the death-fear which the male psyche often transformed into a sex-fear. Ancient writings describe the male sexual function not as "taking" or "posessing" the female, but rather "being taken" or "putting forth." Ejaculation was viewed as a loss of a man's vital force, which was "eaten" by a woman. The Greek sema ir "semen: meant both "seed" and "food." Sexual "consummation" was the same as "consuming" (the male). Many savages still have the same imagery. The Yanomamo word for pregnant also means satiated or full-fed; and "to eat" is the same as "to copulate."
Distinction between mouths and female genitals was blurred by the Greek idea of the laminae -- lustful she-demons, born of the Libyan snake-goddess Lamia. Their name meant either "lecherous vaginas" or "gluttonous gullets." Lamia was a Greek name for the divine female serpent called Kundalini in India, Uraeus or Per-Uatchet in Egypt, and Lamashtu in Babylon. Her Babylonian consort was Pazuzu, he of the serpent penis. Lamia's legend, with its notion that males are born to be eaten, led to Pliny's report on the sexual lives of snakes which was widely believed throughout Europe even up to the 20th century: a male snake fertilizes the female snake by putting his head into her mouth and allowing himself to be eaten.
Sioux Indians told a tale similar to that of the Lamia. A beautiful seductive woman accepted the love of a young warrior and united with him inside a cloud. When the cloud lifted, the woman stood alone. The man was a heap of bones being gnawed by snakes at her feet.
Mouth and vulva were equated in many Egyptian myths. Ma-Nu, the western gate whereby the sun god daily re-entered his Mother, was sometimes a "cleft" (yoni) and sometimes a "mouth." Priestesses of Bast, representing the Goddess, drew up their skirts to display their genitals during religious processions. To the Greeks, such a display was frightening. Bellerophon fled in terror from Lycian women advancing on him with genitals exposed, and even the sea god Poseidon retreated, for fear they might swallow him.
According to Philostratus, magical women "by arousing sexual desire seek to devour whom they wish." To the patriarchal Persians and Moslems this seemed a distinct possibility. Viewing women's mouths as either obscene, dangerous, or overly seductive, they insisted on veiling them. Yet men's mouths, which look no different, were not viewed as threatening.
"Mouth" comes from the same root as "mother" -- Anglo-Saxon muth, also related to the Egyptian Goddess Mut. Vulvas have labiae, "lips," and many men have believed that behind the lips lie teeth. Christian authorities of the Middle Ages taught that certain witches, with the help of the moon and magic spells, could grow fangs in their vaginas. They likened women's genitals to the "yawning" mouth of hell, though this was hardly original; the underworld gate had always been the yoni of Mother Hel. It has always "yawned" -- from Middle English yonen, another derivatave of "yoni." A German vulgarity meaning "cunt," Fotze in parts of Bavaria meant simply "mouth."
To Christian ascetics, Hell-mouth and the vagina drew upon the same ancient symbolism. Both were equated with the womb-symbol of the whale that swallowed Jonah; according to this "prophecy" the Hell-mouth swallowed Christ (as Hina swallowed her son Maui) and kept him for three days. Visionary trips to hell often read like "a description of the experience of being born, but in reverse, as if the child was being drawn into the womb and destroyed there, instead of being formed and given life." St. Teresa of Avila said her vision of a visit to hell was "an oppression, a suffocation, and an affliction so agonizing, and accompanied by such a hopeless and distressing misery that no words I could find would adequately describe it. To say that it was as if my soul were being continuously torn fro my body is as nothing."
The archetypal image of "devouring" female genitals seems undeniably alive even in the modern world. "Males in our culture are so afraid of direct contact with female genitalia, and are even afraid of referring to these genitalia themselves; they largely displace their feelings to the accessory sex organs -- the hips, legs, breasts, buttocks, etc. -- and they give these accessory sex organs an exaggerated interest and desirability." Even here, the male scholar inexplicably "displaces" the words sex organ onto structures that have nothing to do with sexual functioning.
Looking into, touching, entering the female orifice seems fraught with hidden fears, signified by the confusion of sex with death in overwhelming numbers of male minds and myths. Psychiatrists says sex is perceived by the male unconscious as dying: "Every orgasm is a little death: the death of the 'little man,' the penis." Here indeed is the root of ascetic religions that equated the denial of death with the denial of sex.
Moslems attributed all kinds of dread powers to a vulva. It could "bite off" a man's eye-beam, resulting in blindness for any man who looked into its cavity. A sultan of Damascus was said to have lost his sight in this manner. Christian legend claimed he went to Sardinia to be cured of his blindness by a miraculous idol of the Virgin Mary -- who, being eternally virgin, had her door-mouth permanently closed by a veil-hymen.
Apparently Freud was wrong in assuming that men's fear of female genitals was based on the idea that the female had been castrated. The fear was much less empathetic, and more personal: a fear of being devoured, of experiencing the birth trauma in reverse. A Catholic scholar's curious description of the Hell-mouh as a womb inadvertently reveals this idea: "When we think of man entering hell we think of him as establishing contact with the most intrinsic, unified, ultimate and deepest level of the reality of the world."
Make me .Quote:
Originally Posted by Tatsuo